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StoryboardCanvas is the complete script → shoot day software suite - 20 production apps covering the entire pipeline from first draft to wrap, powered by our proprietary IP: DollyAI™ (cross-module AI director), the Style-Lock Engine, the AI Image Engine (eight generation modes), Canvas Draw (GPU brush engine), Frame Brain (animate-aware AI), the Cross-App Spine, the Brand Kit Engine, and the IATSE Turnaround Engine. It's live and open to everyone - sign up, pick a plan, and start your production today. Every app is included on every tier; annual billing saves roughly 20%.

Six director apps (Script, Shotlist, Editor, Draw, AI Artist, Animate). Ten producer apps unified under one production stack (Breakdown, Cast, Locations, Props, Vehicles, Calendar, Call Sheet, Shoot, Diary, Budget). Four platform apps that tie them together (Dashboard, Files, Team Chat, Cloud Library). Twenty in total. They share one project file - change a scene heading once, and the breakdown, schedule, call sheet, and storyboard all update themselves.

It's a full screenplay word-processing suite - not a glorified textarea. Typed screenplay blocks with Tab cycling, intelligent element assist, scene navigator, dual dialogue, revision mode with industry-coloured pages and locked scene numbers, autosave history with named versions and editable drafts, comments with @-mentions, real-time multi-user collaboration, approval workflows, sides generation, episodic support, readthrough TTS, File/Edit/View/Help menus, and import/export for FDX, Fountain, Celtx, HTML, RTF, and PDF. Built to replace Final Draft entirely.

Those are single-purpose tools. StoryboardCanvas covers 22 out of 22 capabilities on our comparison matrix - Final Draft covers 3, Celtx 9, StudioBinder 14, Movie Magic 4, Gorilla 4, Boords 4, Storyboarder 3, LTX Studio 6, Midjourney 4. Change a scene heading once, and every dependent document updates. No copy-paste between five different logins.

DollyAI™ is not a chatbot. She's the AI director layered into every app in the suite - 200+ typed, prompt-engineered actions across every route, with selection awareness (knows which scene / shot / character / prop you've clicked) and image awareness (can see your storyboard frames, character photos, location scouts, props, vehicles, costumes, behind-the-scenes media, and recent AI generations). She's powered by a six-engine intelligence stack: production memory (remembers your film and your taste across sessions), agent mode (proposes changes with a field-by-field preview, your approval, and one-click undo), a self-critique loop, the AI Family of specialist department heads you can bring in by name (Marlowe, Sable, Cass, Indra, Vee), proactive briefings (an hourly watch, a self-checked morning briefing, a weekly frame review and an approval inbox), and deeper vision that reviews your actual frames. She can even read a web page or run a search when you ask. Per-row Ask Dolly menus on the major tables. Every action starts with a parallel 16-table project-context fetch so she answers with full awareness of your script, breakdown, cast, schedule and visual style bible - not generic chat. Streaming responses. Credit-gated, micro-billed from a quarter-credit. Included on every tier.

A world-beating web-based GPU-accelerated drawing engine with a custom brush builder. 450+ stock brushes across ink, pencil, oils, watercolour, charcoal, airbrush, gouache, chalk, markers and bristle sets. 120+ paper and canvas textures - cold-press, hot-press, rough, smooth. 15+ blend modes, non-destructive layers with groups / masks / alpha locks, adjustment layers, full stylus pressure + tilt, five smoothing modes, Adobe ABR brush-file import, 60fps rendering - all in your browser with no plugins, no install, no download. Start with stick figures for quick blocking or paint a finished frame.

Credits are the fuel for AI actions - every DollyAI™ chat, script action, breakdown, shotlist parse, and style-locked frame generation consumes credits. Simple actions cost 1–3 credits, image generations and long-context actions 10–25. Credits refresh monthly on your billing date. Solo and Team credits are use-it-or-lose-it, Studio gets 25% rollover, Agency and Network get 50% rollover, Broadcaster gets 100% rollover. Upgrading to a higher tier carries unused credits across automatically.

Eight: Hobbyist (£19/mo · gateway), Solo (£39/mo), Team (£99/mo), Studio (£269/mo · most popular), Agency (£599/mo), Network (£1,599/mo), Enterprise (£3,329/mo · self-serve enterprise), and Broadcaster (custom). Annual billing locks in 20% off any of the seven paid tiers. Every app, every feature, every export format is available on every tier - no feature gating, ever. Tiers differ only on seat count, monthly credits, queue priority, storage, and rollover policy. Hobbyist gets the same revision-mode Script app and the same DollyAI™ as Broadcaster.

Annual billing locks in 20% off any paid tier - equivalent to 2.4 months free over the year. Hobbyist £15/mo billed annually (£180/yr) versus £19/mo monthly. Solo £31/mo (£372/yr) versus £39/mo. Team £79/mo (£948/yr) versus £99/mo. Studio £215/mo (£2,580/yr) versus £269/mo. Agency £479/mo (£5,748/yr) versus £599/mo. Network £1,279/mo (£15,348/yr) versus £1,599/mo. Enterprise £2,663/mo (£31,956/yr) versus £3,329/mo. Cancel any time from the billing portal and keep access through the end of your paid period.

Yes. Script imports FDX (Final Draft), Fountain, Celtx, PDF, DOCX, RTF, and HTML - full screenplay fidelity. Breakdown imports StudioBinder CSVs. Schedule and stripboard import from Movie Magic Scheduling and Gorilla Scheduler CSV exports - vendor auto-detected, scene #, I/E, day/night, location, cast, page count, and duration all mapped automatically. Cast sheets from CSV/XLSX. Images from any common format. You can start mid-production without losing a single scene, strip, or deal memo.

Your account, billing and the whole marketing site work on any device, including your phone. The production app suite is built for a bigger canvas - a tablet (iPad 10.2" and up), laptop or desktop - because the script editor, stripboard, call sheets and drawing canvas genuinely need the room to work properly; on a smaller screen we show a friendly note pointing you to a larger device rather than cramming the UI. Canvas Draw runs with full stylus pressure + tilt on iPad, Surface and any Chromebook or Windows tablet. The on-set surfaces - call sheets, Shoot Day Live arrival check-in, diary entries, BTS photo capture - are tuned for the tablet you'll actually carry on set. No native install required, ever.

Real-time presence with live cursors and selection highlights across every app. Per-frame, per-line, and per-row comments with resolve/reopen threads, @-mentions, and email notifications. Review sessions with share tokens for external reviewers - they can approve, reject, or comment without creating an account. Role-based permissions (Owner, Editor, Commenter, Viewer). Team chat with channels and reactions. Full audit log.

You retain full commercial rights to everything you create on every paid tier. We never train on your projects. Your style bibles, scripts, cast data, and generated frames are yours. We use append-only audit logs for credits and immutable version snapshots for documents so nothing is ever silently deleted or altered.

Three-day grace period with full access, then read-only mode (you can still view and export everything), then after 14 days the account suspends. No data is ever deleted - reactivate any time and everything is exactly where you left it.

No - and we're unapologetic about it. Free-tier theatre costs us real money running your AI calls, and it costs you real time evaluating a deliberately crippled version of a tool you'd actually use. The apps aren't speculative: StoryboardCanvas replaces Final Draft, StudioBinder, Movie Magic Scheduling, Gorilla Budget, Filmustage, and Boords in one suite. It pays for itself on your first short, let alone your first feature. Hobbyist starts at £19/mo (or £15/mo billed annually) - full capability from day one. Solo at £39/mo (£31 annual) is the recommended starting tier with team-collaboration upgrades. Cancel any time from the billing portal and keep access through the end of your paid period. No retention traps, no guilt prompts. You can also explore a finished, read-only demo production right now - no sign-up, no card.

Yes - open the live read-only demo from the homepage. It loads a complete, finished production (script, breakdown, 8 shoot days, full cast and crew, call sheets, a £3.4M budget, storyboards and an animatic) so you can click through every app on real data without signing up or entering a card. You can look at everything; saving and AI generation are the parts you unlock when you join.

It's a full line-producing ledger, not a spreadsheet - twelve tabs covering Cost Report, Variance, Forecast, Top Sheet, Purchase Orders, Petty Cash and Rate Cards, plus a Tax Incentive Estimator that ranks film-tax-credit jurisdictions and compares up to three side by side, a Fringe Matrix with SAG-AFTRA / IATSE / DGA / non-union and BECTU preset packs, a Cashflow Schedule with peak-week and budget-exhaust warnings, an AICP Bid Builder that maps every line to a chart-of-accounts code and prints an agency-ready firm bid, and a Union Rate Finder with 30 dated 2026 scale rates and a live cost calculator. Per-line traffic-light readiness, contract uploads, VAT / locale tax handling and accounting exports (generic ledger, Xero, QuickBooks, and an authorised-payments bank file) are all built in. These tools are informational aids - you stay responsible for filings in your jurisdiction.

Yes. The Shoot app has a Safety tab with a 5×5 risk-assessment matrix and AI safety briefings; the Diary runs a due-diligence Compliance board with a daily safety score, an hours / turnaround / meal / daylight / incident check per shoot day, and an incident log. Cast carries a compliance document vault with a 30/14/7/1-day expiry ladder for COIs, work permits and releases, plus a child-performer work-hours tracker with jurisdiction-banded limits. The Calendar flags IATSE turnaround violations automatically. It's organisational support, not legal advice - local law remains your responsibility.

Yes. Script Distribution mints a separate watermarked link for each recipient - every page is stamped with that reader's name, links expire on a date you set, you can revoke any of them instantly, and you see download telemetry per recipient so a leaked PDF traces straight back to who shared it. There's also an AI Clearance Scanner that flags brands, real people, music, trademarks and artwork in your script for E&O review before you go to camera.

The marketing site and the app interface ship in fifteen languages (English, Spanish, French, German, Italian, Portuguese, Dutch, Polish, Turkish, Russian, Japanese, Korean, Chinese, Hindi and Indonesian), switchable from the language chip - your account, the demo and the everyday app chrome all follow your choice. Prices show an estimate in your local currency from live exchange rates, while billing itself is taken in GBP. Your actual work is never translated - your script stays in whatever language you wrote it.

Each paid tier includes a number of seats and a per-seat add-on price (Solo +£19/mo per seat up to 3, Team +£15 up to 10, Studio +£12 up to 25, Agency +£10 up to 50, Network +£8 up to 100). Seats are billed when you add them and end at the close of the current billing period when you remove one. The account owner controls exactly which apps and how many credits each seat can use, and read-only viewers are unlimited and free on every tier - bring in financiers, clients or department heads to look without paying for a seat.

No - that's the whole point. The cross-over importer takes a drop of almost anything: Movie Magic Scheduling, Final Draft, StudioBinder, Gorilla, Yamdu, Celtx or any screenplay file. We recognise the source, run an AI breakdown and route the result into the right apps automatically (Movie Magic stripboards come in structured, with no AI credits charged). Script also imports FDX, Fountain, Celtx, PDF, DOCX, RTF and HTML at full fidelity. You can pick up mid-production without losing a scene, strip or deal memo.

Approved storyboard frames flow straight into Animate, where you drop them on a timeline with 27 camera-move presets, transitions, easing (including Bounce), scratch audio and timing, then export to MP4 / MOV / WebM with audio plus editorial hand-off formats - XMEML (Premiere / DaVinci), FCPXML (Final Cut Pro X), EDL, OpenTimelineIO and SRT captions. The whole creative spine runs Script → Shotlist → Storyboard Editor → Animatic with one project file underneath, so nothing is re-typed or re-imported between stages.

The Producer app is the page a producer keeps open every morning: a live scorecard, hot-cost rollups, an AI overtime predictor, schedule-risk scoring, a deliverables tracker (ProRes master, DCP, stems, captions, QC, chain-of-title, E&O and more on a click-along delivery pipeline), an EPK / sales hand-off package, a PO command centre with approval routing, an immutable cross-app audit trail of every change, and a multi-project portfolio view. Weekly cost reports and DPRs assemble themselves from the spine and are ready to email by 6am.

Beyond your statutory consumer rights, refunds are considered case by case as a goodwill gesture - just contact us. You can cancel any subscription from the billing portal at any time and keep full access through the end of the period you've already paid for; we never delete your data when you cancel.